The
Second Act
Vinitha Kattungal
The death of Suchitra Sen today morning, apart from the deep remorse it brought, set the mind thinking about the heroines of our day. Suchitra belonged to a time when marriage and motherhood was not looked down upon by the industry which is a far cry from the Bollywood of our times.
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Suchitra Sen |
Lights, camera and action
- the three magical words of tinsel town around which the glamorous
film industry turns. After stepping into the whirlpool of ‘glitz
and glamour’, every aspiring actress just spins along endlessly.
They only stop after marriage and child birth. Why do the leading
ladies, who are talented, attractive and at the peak of their acting
careers, disappear after marriage and child birth?
People say it is
unavoidable. But really, is it? Who is to blame for this brutal end
to an otherwise promising career - the audience or the film makers?
The film makers think that the fan following of the heroine (even if
she is young) declines after marriage. Prominent
film maker Sanjay Leela Bhansali ousted Kareena Kapoor from his
ambitious project ‘Ram Leela’ on the grounds of Bebo’s
impending marriage and justified his act by stating that post-marriage the audience would not be able to identify with Kareena’s
portrayal of Juliet as Leela, as the film is based on Romeo-Juliet.
Even the beauty queen Aishwarya Rai was dropped from Madhur
Bhandarkar’s ’Heroine’ after she announced that she was
pregnant.
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Kareena Kapoor |
Why are heroines always
put into two categories - desirable or/and undesirable? Is it
because, the role of heroine is to be the love interest of the hero,
undoubtedly with a beautiful face, sensual body and dancing around in
skimpy clothes. That is, in fact, the nature of the roles most
actresses portray in their films. As far as the audiences are
concerned, the heroine is their ‘dream girl’. They admire and
fantasize about their screen idol. These fans are the main reason for
all the stardom in the show business. If a hero desires a heroine,
so do they. They fantasise about heroines who are single and reject
those who are not single and not available.
Taking the argument
forward, audiences feel that once their favourite heroine is married,
they no longer get to have her, she is the property of the person she
marries and in a jiffy they shift their focus on to the next available glamorous heroine. But the society accepts the leading man even if he is in
forties, irrespective of his marital status. However, the same is not
true of heroines. Heroines are asked if they would work post
marriage. Why was Twinkle Khanna not asked if Akshay Kumar would work
post wedding?
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Sharmila Tagore |
It is a myth, post
marriage actress cannot pull it off like their unmarried
counterparts. It has been challenged and proven that heroines even after
having kids ruled the box office.
Cut. Pan. Zoom, to the
early 50’s when noted Bengali actress Suchitra Sen, who died this morning, made a
successful entry after marriage and motherhood. Even in those days
the masses as well as the film makers accepted her as an artist with
great acting skills and were not concerned about her marital status.
Some of Suchitra Sen’s unforgettable movies are Sherey
Chuattor, Deep Jwele Jaai, Devdas and Aandhi.
Suchitra's daughter, Moon Moon Sen also entered the film fraternity after
marriage and motherhood in 1984. She was a model-turned-versatile
actress who acted in Hindi, Bengali and all south Indian Films.
One heroine we could
never forget is National award winner Sharmila Tagore, who began her
acting career in Satayajit Ray’s Benagali film Apur Sansar in
1959 and established herself as a popular Hindi actress in Kashmir
Ki Kali (1964). She was called the sex symbol of Bollywood for her
first appearance in a bikini for the film An Evening In paris (1967). She married in 1969 and in 1970 her son Saif Ali khan was
born. She is the only actress who delivered the maximum number of
hits post marriage and after childbirth. From (1969-1975), she
delivered hits like Aradhana, Safar, Daag, Amar Prem, Chhoti Bahu and
Mausam. She could balance both professional and personal life.
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Dimple Kapadia |
Let’s look at some
actresses who voluntarily have taken time off from their acting
career to be married and after enjoying their motherhood made a
successful comeback after a long gap. Who could forget Dimple
Kapadia? She set the screen on fire after 12 years of marriage with
Sagar (1985), and became one of the leading actresses in 1980s. Sridevi is one of the
longest reigning successful leading ladies of Indian Cinema, who
started her career as a child artist and is still going strong. But
after marriage it took her 15 years to return with a bang in 2012
(with English Viglish).
Up next, ‘Dhak Dhak
girl’ Madhuri Dixit, the dancing queen of Bollywood? - after
delivering a number of hits before marriage, she took a break from
acting to raise her kids and made a comeback in 2007 (
Aaja Nachle)
which bombed at the box office. She then returned as a judge for
reality dance show ‘Jhalak Dikhla Jaa’. Her
Dedh Ishqiya has been getting some rave review and
Gulaab Gang arrives in March
where she is paired with bubbly Juhi Chawla is the most awaited
release. Juhi Chawla who is known for her comic timing in films, was
one of the leading ladies of the 90’s along with Sridevi and
Madhuri Dixit. But after marriage she started
appearing
in independent and art films, and her work include the critically
acclaimed films 3
Deewarein, 7½
Phere and My
Brother Nikhil.
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Madhuri Dixit |
Among the newer married heroines, we have Kajol and Karishma Kapoor. Kajol is seen on
and off on screen, delivering hits and winning awards whenever she
makes a comeback. As far as Karishma is concerned, during her break
from films she acted in television serial ‘Karishma – The Miracle
of Destiny’ and appeared as a judge for dance reality show ‘Nach
Baliye – Season 4’, but her come back movie was a disaster
(Dangerous Ishq) in 2011. Even in present slot we have actress like
Chitrangada Singh who made a successful debut in 2003 after marriage
in critically acclaimed film Hazaaron Khwaishan Aisi. She took
a break from 2005-08 and made a successful comeback in 2008. Everyone
is waiting for Aishwariya Rai to return but she always says ‘I am
reading scripts’.
If
Suchitra Sen could do it in 50’s, why not the present crop of
heroines? If you look at the pattern, non-filmy husbands are matured
enough to allow their celebrity wives to return to the silver screen
whereas 'filmy' husbands are over possessive when it comes to their
starry wives.
Whatever
the reason may be, if the actresses what to comeback nobody can stop
them. Who calls the final shot, is it the heroines, their husbands,
the audience or the film makers? Whoever it is? One thing is assured
- talent always sustains. So,
how far comeback screen idols will be able to woo the audiences is
the question of the hour and how many will get the approval and
acceptance from the viewers, time will tell. Till then as our show
man Raj Kapoor said “the show must go on”.